Showing posts with label California. Show all posts
Showing posts with label California. Show all posts

Tuesday, July 3, 2012

Mission San Fernando Rey de Espana


Mission San Fernando Rey de Espana is a Spanish mission in Mission Hills, California.  It was founded on September 8, 1797 by Father Fermin Lasuen.  He was a native of Vitoria, Spain and served as Presidente of the California Missions for eighteen years.  It is the seventeenth of twenty-one missions established in California.  It is named for Saint Ferdinand, King of Spain in 13th century.




The Old Mission Church is the fourth church to be built here and is an exact replica of the one built between 1804 and 1806.  The walls are seven feet thick at the base and taper to five feet at the top.  Pope John Paull II visited the church in September of 1987.



The elaborate altar, gold-leafed reredos and pulpit are carved from walnut and date to 1687. They were originally installed in the chapel of St. Philip Neri at Ezcaray, Spain.  They were then removed and reassembled in part at San Fernando.  The altar depicts its patron saint being welcomed into heaven by the Holy Trinity. Father Junipero Serra stands on his left and the figure of St. Mary Magdalene stands on his right.  The only piece that did not come from the original church is the statue of St. Ferdinand, which was added to reflect the history of the California missions.  The statue was carved for the mission when it was built in 1797, but had to be restored after an earthquake in 1971.




The East Garden features a flower shaped fountain that was copied from one in Cordova (Cordoba), Spain.  The garden also contains an assortment of rare trees, cacti and seasonal flowers.



Moorish-style arches in the Convento.  The adobe walls are four feet wide and the windows stills have their original iron grilles.



Mission San Gabriel Archangel



Mission San Gabriel Archangel was founded on September 8, 1771.  It is the fourth of twenty-one missions founded in California. 

The mission was founded two years after the discovery of the San Gabriel Valley.  The founding missionaries came from San Diego to determine the exact site for the mission.  They were met by a group of Tongva Indians, who seemed determined to drive them away.  One of the priests brought out the three hundred year old painting of "Our Lady of Sorrows" and spread it on the ground for the Indians to see.  The Indians were so impressed with the beauty of the painting that they offered signs of friendship.

Father Antonio Cruzado was the church building designer.  He was born and raised in Cordova (Cordoba), Spain.  The design may have been based on the Cathedral of Cordova in Spain, which was once a Moorish mosque.



The buttressed walls, vaulted roof and fortress-like appearance of the church was influenced by Moorish architecture.



The walls of the building are original and are more than four feet thick.  The sections throughout the buttresses are up to seven feet thick.

An earthquake in 1804 damaged the original vaulted roof and ceiling.  The roof was replaced by a flat roof made of brick and mortar.  That roof was damaged in the 1812 earthquake.  The current roof is made of cedar shingles installed in 1993.

The church was built between 1791-1805 using cut stone, brick and mortar which is unusual.  The other missions are built from adobe.  It is the oldest structure of its kind south of Monterey, California.


The ruins of the original bell tower are to the right in the above photo.



In the 1790's, the main altar was made in Mexico City and brought to the church.  The retablo is Churrigueresque-style with wooden polychrome statues that were hand-carved in Spain.  On the left side is San Francisco de Asis.  San Joaquin is below him.  On the right side is San Antonio de Padua.  Santo Domingo is below him.  Archangel Gabriel is in the center.  The Purissima Concepcion is over the Tabernacle.  Buried beneath the floor of the Sanctuary, in front of the altar, are eight Franciscan friars.



The altar and the crucifix were damaged during the 1812 earthquake.  The statues fell and were broken into pieces.  Repairs were completed in 1813.  They were also restored again in 1993.


 The mission is one of the best preserved, with many of its original features still intact, including the baptistry domed ceiling, floor and walls.






The Camp Santo Cemetery was first consecrated in 1778.  It is the oldest cemetery in Los Angeles County.  The foundations are original, but the surrounding walls were rebuilt in 1940.





The Peace Garden includes a hand-made tile picture of Our Lady of Guadalupe.






Saturday, January 29, 2011

The Getty Villa

J. Paul Getty built a Roman Villa in Malibu, California based on the Villa dei Papiri, a Roman country house that was buried by the eruption of Mt. Vesuvius in A.D. 79.



The Outer Peristyle


A large pool framed by symmetrical landscaping is the focal point of the Outer Peristyle.  By the pool and throughout the garden are copies of bronze statues and busts which were cast after those found in the Villa dei Papiri. These statues depict athletes, statesmen, philosophers, mythological figures, and animals.



The walls of the porticos are decorated with paintings in the Second Pompeian style, which was fashionable in the first century B.C.  


The colors used in the paintings on the walls of the portico match actual ancient paint specimens.






On a wall of the Outer Peristyle a painted fruit-and-flower swag is suspended between two illusionistic Corinthian columns.  On the left and right of the two columns the painting creates the illusion of walls of green ashlar blocks separated by red cement.



The small round structure (tholos) depicted on this wall of the portico is based on a similar wall painting from the House of the Labryinth at Pompeii.





Like any opulent Roman home, the Villa is adorned with gardens and fountains. The East Garden contains a replica of a fountain from Pompeii, decorated with mosaics of stone and glass tesserae and seashells.

It also has two marble theatrical masks. The masks are of Herakles (the Roman Hercules), and his cousin Dionysos, the patron god of theater.

Now let's go inside the Villa.

The Villa has a Basilica.  In the first century A.D., the Roman architectural historian Vitruvius used the word "basilica" to describe a very large room that would usually have been a public hall, but that was occasionally constructed as part of a private house.  Such rooms may have been used as meeting halls or private shrines.  Eight white marble columns divide the Basilica into a wide nave with two extremely narrow side aisles.  This basic plan was adopted by early Christians for their churches.

The Villa's Basilica has many statues...these are just a few of my favorites.











The Temple of Herakles


A room like this would never have existed in a private Roman home. This room at the Villa was designed just for the Museum to house the Lansdowne Herakles. This life-size statue was found near Hadrian's Villa at Tivoli.
 
 
Mosaics
 
 
 
The Romans made mosaics from tesserae, tiny cubes of stone or occasionally other materials, set into a bed of mortar. They used mosaics to cover the floors in wealthy private homes and public buildings.
 
 
 
 
Mosaic floors crafted in only black and white were favored in Italy in the 100s A.D.
 
 
 
A bust of the gorgon Medusa is the center of this Roman mosaic floor. This spinning shield motif with the gorgon's head as its central point appears frequently on Roman mosaic floors.
 
 
Room of Colored Marbles
 
 






By the first century A.D., wealthy Romans were using an array of colored marbles to cover floors and walls and to line fountains and pools. Usually imported from distant lands, different stones not only served as decoration, they also demonstrated the power of Rome and the extent of its conquests and illustrated the wealth and power of the owners of elite homes. Marble was used either in large slabs or in small pieces that were combined to create intricate geometric patterns of different colors and shapes.


Frescos
 






Wall, Ceiling and Floor Decorations



Ceiling decoration in Outer Peristyle



Wall decoration






These mosaic floor patterns from a house in Pompeii were copied in the Villa's Outer Peristyle.



The Villa also contains many statues, jewelry, and other artifacts of Greek, Roman and Etruscan history.






Children (and children at heart), can decorate Greek vases.




They can also perform their own Greek tragedy!


The Getty Villa is a great place to visit to learn more about Roman Villas as well as Greek, Roman and Etruscan art.